Ralph Renick's Final Years

The end of the line is a sad place to be. We’ve all seen it.

Willie Mays, one of the greatest baseball players ever, stumbling with the Mets in 1973… hitting only .211 with just six home runs.

Chuck Berry at age 84, going through the motions on stage, not really concerned about what he’s doing to those classic old songs he created.

Yet we cheer for them. Encourage them. Want so much to see them, be around them, and to share in their auras, for the performers they once were and will always represent.

I don’t know Willie Mays or Chuck Berry, but I did know a living legend. Even though he was just a shell of the giant he created, it was still an honor to know, and dare I say, help him.

If you’re under 30, don’t live in the U.S.A., or paid no attention to television news, then you might not know the name Ralph Renick. The rest of us, especially those who grew up in South Florida, know the image, the accomplishments, the legend.





Renick came into my life in 1988, when his agent – the man who ordered my firing from WNWS eight years earlier – negotiated a comeback deal for the veteran newsman. WCIX News Director Larry Wallenstein, who’d worked with Renick at WTVJ, had the idea to return Renick to the South Florida airwaves… as a commentator. It was a familiar role. Renick had pioneered the television editorial, nearly 40 years earlier. Heck, Renick had pioneered just about everything, when it came to TV news in South Florida.

It was hard not to feel intimidated by the man’s accomplishments, but the ego that I’d heard so much about was not on display. The Ralph Renick that went to work at Channel 6 was a lot more down-to-earth than we could have expected. When Renick was given the added task of hosting Insight, the Sunday morning public affairs show that I produced, I got the chance to work closely with him; to write his copy, and to help with questions for our guests. Renick had the final say in what topics we chose, which meant indulging him at times. (He earned that right. I didn’t.) Then, on January 23, 1989, Renick was called on to anchor one final newscast – the last he’d ever do. He insisted that I produce it. Surprisingly, he opted not to write any of his own copy, concentrating instead on the performance he’d need to give that night. Had I known it would be his last-ever newscast, I would have kept the aircheck. Unfortunately that show is lost forever. I’d be lying if I said it was one of his best, but it didn’t need to be. It was Ralph Freaking Renick! Like Willie Mays and Chuck Berry, this was a living legend, doing the thing that made him that way. Not all of Picasso’s etchings are aesthetically pleasing, but they’re still Picassos.



Memo from our bosses about Renick, dated August 29, 1990. Click image to view it full size.



Ralph Renick left WCIX in September 1990. To the casual observer, it might have appeared that he’d been coasting during his last few months at the station. Officially, he was moving on to devote more time to public broadcasting and his community work, but unofficially, there was something else brewing that just wasn’t talked about. Ralph Renick was ill.

It was one of Miami television’s best-kept secrets… to the general public… but we insiders knew that something was wrong. As the months passed, it became clear Renick was dying. Had it been any other local legend, the news reports would have been plentiful, but this was a colleague whose right to privacy we all respected. I’m not saying that was right or wrong, but again, he earned it. After all, where would any of us had been had Ralph Renick not taken to the airwaves back in 1949?

Renick’s battle with hepatitis and liver cancer ended on July 12, 1991. He was 62. We all wrote tributes to the man and his legend, but it was the station he put on the map – WTVJ Channel 4 – that captured his spirit the best. What follows is the first block of a 30-minute special that WTVJ aired that night. It was co-anchored by Bob Mayer, who was given his start in TV news, decades earlier, by none other than Ralph Renick. The audio is low, and there are a few video glitches, but still the pictures are priceless.




Renick had been chairman of the advisory board of the Louis Wolfson Media History Center. The footage that follows (about the blight on Miami Beach) is part of their archives, which stand as a tribute not only to him, but to all the other local broadcasting pioneers.





I still have the Christmas card that Renick sent me in December 1990 – less than 7 months before his death. In it, he wished me good luck on my forthcoming book, which he called “fascinating”. I consider that one of the greatest compliments I ever received.





Christmas card from Ralph Renick, December 1990. Click to view full size.


Ralph Renick might not have been the powerhouse he once was, but for those of us at the old Channel 6… he didn’t need to be. He just needed to be himself, and an important part of our team, as we slowly grew more competitive in the tough Miami news market. Twenty years after his death, he remains the single most important figure in Florida broadcasting history. None of us will ever forget him.

Now that you're here... check out my OTHER POSTS on the Say Six! blog.

CBS To The Rescue

We were incredulous. Sure, we’d heard the rumors that big bad CBS was going to buy our low-rated, signal-challenged independent TV station, but get real! They’d backed a winner in WTVJ Channel 4 for the past four decades, but now NBC was buying Channel 4, changing everything. We’d all speculated on what could happen if we were actually taken over by the Columbia Broadcasting System, but few of us really believed it would happen. But it did! The announcement came down on 8-8-88. It may have appeared 8’s were wild that day, but for us, everything was coming up 6’s. The takeover would become official come the new year. The ant that thought he could move a rubber tree plant finally had more than just high hopes, as the new owners planned to spend money, make improvements, and do anything they could to justify their investment. Bring it on, we said. Make us a contender!

Who at Channel 6 wasn’t affected by the change? For some, it was time to move up. For others it meant moving out, as the network boys brought in lots of new blood. For me it meant a move to the new special projects unit, and a chance to produce specials, series, and what have you. Anything besides the newscast grind (although I still had to produce the Saturday and Sunday newscasts.) I had the “pleasure” of producing the first Saturday 6PM show in Channel 6’s history. Unfortunately it followed basketball, and the game ran long, which meant… Channel 6’s first accordion show! That’s when the show has to be sliced, diced, then sliced-and-diced some more (depending on how little time was left between the end of the game and the start of network news at 6:30 sharp). Just one of the fun new things we had to get used to. The change meant more newscasts, expanded coverage, and much higher expectations – all good things, especially when you consider what a busy first month it was: Overtown civil disturbances. Miami’s first Super Bowl in ten years. Ted Bundy’s execution. An influx of Nicaraguan refugees, enough to fill Bobby Maduro Stadium to capacity. The first George Bush’s inauguration. Whew, we were busy. But help was on the way. We had already stolen Al Sunshine away from WTVJ, and soon some shiny new anchors would join the team. By April, J.D. Roberts (now Fox’s John Roberts) was brought in from Canada to anchor the news with Barbara Sloan (sending Jim Dyer to the weekends). Giselle Fernandez joined the team the following month, followed a little while later by John Hambrick, who had been WTVJ’s star anchorman. The new anchors raised the bar even higher, and so did the new management team.

CBS brought in Jay Newman, who presented a blueprint that would be hard to follow – but we sure tried. Newman mandated that anchor tags follow every reporter package. Producers were not allowed to change anchors between stories, without an on-camera tag as a transition. Every block of news had to have a light “ender”, to set the mood before the tease that followed. And all teases had to have at least two pieces of video in them. Lofty goals. By March the station had hired Ron Tindiglia as our consultant, to further refine our newscasts and make more mandates. Some of us called Tindiglia “The Guru”, because of the way he would hold middle management spellbound through the years. Tindiglia’s word was like the word of God around that newsroom. Thou shalt write to video at all times!

That first year under CBS brought rapid changes to our humble newsroom. I spent part of January training our two newest producers, Brian Jones and Zahir Sachedina. I was supposed to be part of the special projects unit, but didn’t get a sniff of a news series until April. Sachedina’s ulcer, and Jones being thrown into an in-depth series about the Overtown disturbances (“A Search For Answers”) kept me tied to the producer’s desk for several extra weeks. During this time I became close friends with one of our new associate producers, Marty Hames. It was then that I learned that when it came to our new owners, there was way more than meets the eye.

Hames, it turns out, wasn’t just an A.P., and she wasn’t hired by our Miami management team like the rest of us writer/producer types. She was personally placed at our station by CBS honcho Eric Ober. By the time she was introduced to us, her ticket to stardom had already been punched. Unbeknownst to us, she was here to learn the ropes of writing, and the ins and outs of news, before being placed in an anchor’s position somewhere in the CBS empire. (There was even talk about renaming her Rosario Velasco, to capitalize on her mother’s Latin heritage.) It turns out there were other secret apprentices. Our new anchor hires were all seen as future stars, and Miami was pretty much just a stop along the way. Hey South Florida, don’t get too used to these folks! The anchor-as-celebrity was already germinating on our airwaves, and the old guard – the Jim Dyers – was being pushed aside. That’s show biz, as they say. And show biz, it was. J.D. Roberts and Giselle Fernandez were terrific anchors and personalities, but I doubt if WCIX ranks high on their resumes. But they would give us the visibility we needed to make the transition from afterthought in the Miami market, to a future player.

Just the way the network planned it.

Dave's Not Here!

Dave Levine was a presence in the WCIX newsroom.

The words “Levine wrap” would bring trepidation to videotape editors. Chyron operators shuddered, when Dave would mention that he needed “pre-pro”. Apparently Dave didn’t get the memo that this was Channel 6, a place where reporters sometimes mailed it in. “Levine wraps” were production numbers, the way good reporter packages ought to be. Yeah, they were a pain in the ass to produce, but they were thorough. It was never spoken or officially pointed out, but everyone knew Dave Levine was our number one reporter. It was a distinction that he earned.

Few people remember this, but for two weeks in 1984, Levine was part of our first-ever co-anchor team. Barbara Sloan was on vacation, and Solon Gray had yet to be hired. With everyone else in town having gone to co-anchor teams, then-news director Larry Lyle decided to experiment, pairing Levine with Amanda Moss. The experiment went well, and a few months later, Gray was hired to share the anchor desk with Barbara Sloan. But it was the Levine-Moss team, together for just ten nights, which set the groundwork.





Dave Levine (right), with future wife Kathy Sciere (center), and former WNWS reporter Cori Zywotow (left). Click photo to enlarge it.



When Dave bolted for New York in 1985, it was big news at the station, and in the entire South Florida news market. Several members of the news department volunteered their time to produce the following farewell video, shown just once at Levine’s going-away party. While some of these outtakes had been seen in earlier news blooper reels, many others were created just for the occasion. Mixed in with the Channel 6 employees are a few friends (and well-chosen strangers) from the, ahem, competition. The video is more than twelve minutes long, which is why it’s in two parts. I feel it is well worth watching for all the old faces you’ll see, along with South Florida landmarks from 25 years ago.

Watch for Gail Anderson, Mike Medrano, Joyce Evans, John Turchin, Rod Meloni, Bill Retherford, Jay Burton, Jill Lovell, Solon Gray, George Buigas, Jay Held, Ralph Renick, Mark Jones (WTVJ), Barbara Sloan, Ed O’Dell (WTVJ), Marianne Murciano, Mike Mason, Jim Hutton (Miami-Dade police spokesman), Glo MacDonald, Ron Laffin, Renee Hagen, Dave Game, Andy Leopold, Fess Major, Dan Slade, Tim Woodberry, Mike Bradley, Nelson Milton, Gilberto Sarmiento, Carlos Lima, Elliott Troshinsky, Tere Halls, Maria Hernandez, Liz Moore, and lots more old faces. I’m on there too, spoofing Levine’s “Viva Cuba Libre” routine from an earlier skit reel. Fun times.

WARNING: There are sexual situations, brief nudity, and many four-letter words on here. If you’re easily offended, keep on reading, but don’t click the magic arrows.