The Lyle File, Part 3

Note: This is the final part of a trilogy about my experiences with former WCIX news director Larry Lyle. It might be a good idea to read the previous two entries before diving into this one.


I guess it wasn’t completely accurate to say I worked 70 straight nights, since it was actually 69 out of 70 (counting my “sick day”). But finally… finally… Rob Puglisi was brought in as the main news producer. Finally, I could concentrate on producing weekend shows only, along with the public affairs program Newsday and Gail Anderson’s Troubleshooter segment. Puglisi was the perfect choice for a Lyle-run newsroom – a “don’t worry be happy” sort of guy, who always claimed he was having a good day, and who has always “never been better”. Puglisi would allow himself to be a punching bag for grouchy reporters, moody anchors, and of course, Larry Lyle. Rob, was I ever happy to see YOU!

My tolerance for Lyle’s mood swings continued to grow shorter. At the same time, he gave us few resources for the weekend show. There was me (producer); Gail Anderson (anchor); Amanda Moss (reporter); Tim Woodberry (photographer); and Woody Woodriffe (tape editor & Chyron operator). That was it for the Saturday and Sunday news staff. Lyle further tied our hands when he decided that Amanda Moss – our sole reporter – would no longer be permitted to do stand-ups in her reporter packages! And then he decided that she would do two packages a day, both without stand-ups!

With no one on the assignment desk, we missed all the spot news that occurred after Moss and Woodberry hit the streets, and before I arrived for the day. Even with the police scanner turned way up high, I still missed a lot, with all the other stuff I had to do. It got so bad that Gail Anderson hired local tipsters Bob & Carolyn Sherman, and paid for their services herself! Imagine that – an anchor having to hire tipsters, just so we wouldn’t look foolish by missing so many stories!

One way Lyle kept control was by secretly pitting employees against one another. He told me to keep an eye on Gail Anderson, and to make sure she didn’t overstep her boundaries. It turns out he also told Anderson to watch me, and gave her authority to overrule decisions I had made. So that begs the question of who can overrule whom? Fortunately Gail and I were usually on the same page, and were constantly amazed at our news director’s shenanigans.

In time, Lyle brought in Eric Seidel, and later Lynn Kubik, to watch the assignment desk. But the deeper problems weren’t resolved. Not by a long shot.

We became the laughing stock of this news market when Lyle decided we would no longer cover spot news. Instead, we would make our name with special assignment reports and enterprise stories. If there was a major fire, he didn’t care about the nuts and bolts of the story. Our focus had to be how the firefighters felt, when they entered the burning building. How did the police feel when they investigated the murder? It was touchy-feely news, without any meat at all! (I agree that special assignment reports and enterprise stories are extremely important. They help make a newscast distinctive, and done right, can help a station stand shoulders above the competition. But their purpose is to compliment the news of the day, not to replace it. That was a huge miscalculation on Lyle’s part).

Larry Lyle was the news director when WCIX made its move from Brickell Avenue to Doral, in September 1985. Just weeks after the move, we were soundly beaten by the competition on election night. Lyle flew into a rage, and slammed the door against the wall of our brand new newsroom, putting a big gash in it. He seemed to go through the motions in the two months that followed, until finally, on December 4, 1985, Larry Lyle was ousted. Assistant news director Lemar Wooley would replace him, temporarily, until Larry #3 – former assignment editor Larry Wallenstein – took over, restoring some of the morale that was lost, and guiding us through the end of our time as an independent station.



(Click image to view it full size)


We knew Lyle was a secretive man, and that the turmoil we saw at work was a reflection of a tortured soul who could never really accept himself. Yet it’s never easy being on the receiving end of that misplaced anger. I could cite many more examples of what life was like during his reign, but you get the picture. Those were some difficult years.

Lyle’s turmoil ended in December 1992, when he died in Indiana of AIDS-related complications. He was only 41.

I bear no grudges against Larry Lyle, though I did at one time. I used to blame him for turning me against newscast producing. It was during my marathon producing session that I became dependent on sleeping pills, so I blamed him for that, too. But that’s not fair. I take full responsibility for my addiction. (I’ve been drug-free for more than four years now, after a 21-year-long sleeping pill dependency. It feels great to say that.)

Under Larry Lyle’s watch, Channel 6 switched from a single-anchor to a dual-anchor, began to produce live specials, put a new emphasis on investigative reports, and went back to doing local news seven days a week. We also lost some amazingly-talented people, through his inconsistent policies, his mood swings, and occasional divisiveness. The newsroom went through radical changes during his time. By the time Larry Wallenstein returned in January 1986, it was a completely different place. And a completely different Larry. Once again, it was time to move forward.

Moving (And Grooving)

This is a follow-up… about a follow-up. A sequel about a sequel. In other words, the type of thing we news types love so much.

If you haven’t already read the preceding blog entry, The Boys From Brickell, please do so at this time. Also take the 1:55 it takes to watch the embedded video. Then please return to this post, which will make a lot more sense at that time.

Oh yeah, The Boys From Brickell. It was a chance to show my creative side, and to poke some well-intentioned fun at some of my bosses. It also got a good response, so for the following year’s Christmas reel (1983), a sequel was in order. Presenting The Brickell Hillbillies: K-Tel meets Weird Al meets the Clampetts at a funny-looking cement pond, in an even funnier-looking round building!

The hardest thing about producing these musical parodies was finding willing vocalists. Some guys like Jim Hayek and Tom Kounelis had played in bands, and were comfortable lending their musical talents, but for the most part I had to beg, and beg some more, to get folks to agree to sing my stupid little parodies. So for the 1983 follow-up, I decided to produce fewer actual songs, and instead enlist the help of some of our on-air “franchise” talents – guys like Big Wilson, movie reviewer Don Stotter, and Miami Dolphins kicker turned football prognosticator Garo Yepremian. All of them were kind enough to help out, as was former Channel 6 reporter Marianne Murciano. Still, it’s the musical parodies that would make or break the piece, and once again I had a chance to “sing”. Like the year before, my target was the crappy food in our lunchroom sandwich machine, lampooned this time to the tune of the Police’s recent “Every Breath You Take”. Tape editor Jorge Hernandez had the privilege of tasting one of our hideous sandwiches, and the expression you see on his face wasn’t a put on! As graphic artist Ron Laffin expressed so brilliantly in an earlier skit reel: “These sandwiches are delicious!”

This piece (and the entire 1983 Christmas reel) came at a pivotal time for WCIX. The station needed to move, and the West Kendall Homeowners’ Association was waging a battle against us. They claimed radiation from our tower would endanger people’s lives, and that we would pose a hazard to planes flying in and out of Tamiami Airport. Eventually, Channel 6 would change its plans, and choose a site a little further north, in what is now Doral. But at the time there was lots of uncertainty, and we lost a lot of really good people while our fate was in limbo. So as you watch this piece, try to put yourself in our shoes, not knowing what the future would hold. It was both an exciting and scary time. Poking fun at it relieved some of the tension, which is what our Christmas skit reels were all about.

The Brickell Hillbillies: Written and produced by Jeff Lemlich, and edited by Gary Slawitschka.