Chain Chain Chain

Just ten days after being named “news managing editor”, Larry Klaas decided to show us all who’s boss. Presenting: the infamous “chain of command” memo.

I know what Larry was trying to do. He was sending a message to the producer, assignment editor, and director that what he said GOES. He urged all members of the news staff to keep a copy of this chain of command on file for reference. Disagree with Larry? Unless you happened to be the news director, you didn’t stand a prayer. It’s right there, on an 8 ½” by 11” piece of paper.

The producers hated this! Not because of having to answer to Larry, but because in the Klaas command chain, they had no more authority than the assignment editor, and the nebulous “other”. The directors hated this, because under Larry’s law, they were equal to the assistant directors… the assistant producers… and, ahem… INTERNS!

None of that mattered to Larry. The moral of the story was “I am above all of you, and you will listen to me!” But in a newsroom where the producer had to have SOME authority over the assignment desk, and the directors had to call the technical shots during the show, this demonstrated a lack of understanding on several levels. After just ten days, hard feelings were already starting to form. It didn’t mean people didn’t like or respect Larry. They just wanted a little respect in return. By stating they wielded the same power as interns, the implication was the assistant producers, assistant directors, and even the directors were just bit players in the news operation. Of course Larry didn’t really feel that way, but this sure made it look that way, and did nothing for unity, morale, or inspiration in a news operation that needed it badly.

ANCHOR’S AWAY: THE PARTY (9/27/82)

Here’s a side of Larry Klaas we rarely got to see around the station. With his contract not renewed, and his career (at the time) hanging in the balance, he found himself able to just let go and enjoy himself at his going-away party, planned and hosted by his close friend, producer Arlene Ross. Here we see Larry and his wife, sharing a quiet moment. It’s the only time I’d ever seen him with his hair messed up.

Larry, opening one of his presents, with producer Jerry Fisher looking on. Jerry was a wonderful person, who a decade later would put up a valiant, but ultimately losing battle against cancer.

Dig the caricature of Larry on the piano, next to then-lovebirds Gary Slawitschka and Wendy Weisbrod. I don’t recall if it was Ron Laffin or Jim Hayek who created the portrait, but it’s a real beauty. To my eyes, it looks like Ron’s handiwork. Gary was a fellow Chryon operator at the time, before venturing into videotape editing. He was my best friend at the station, and is somebody that I think about from time to time. Gary, if you see this, please get in touch!

That’s Arlene Ross with her arm around Larry. These two had a lot of history, and were always very close. The big guy to the left and rear of Arlene is Tom Sedley, our ace (and under-appreciated) sports producer. Richard Chee-A-Tow from the engineering department is to the right rear of Larry.

John Loesing and his wife enjoy a piece of cake, while watching the frivolity unfold around them. John was very nice, but at times he might have been a little too low-key on the air.

I put down the camera for this group shot. That’s me on the far left, next to Arlene Ross, Gary Slawitschka, and Henry Rosenberg (videotape editor). Arlene’s future husband, director Dan Roujansky, is in the front. Can you guess which people in this picture are stoned?

Yeah, stoned. In those days, nearly everybody smoked pot, and the ones that didn’t, tolerated it. It was a generational thing that could never happen in this day and age. It was amazingly open, not just at parties such as this one, but all around the station as well. I think that’s going to be the subject of my next post.

Klaas Dismissed

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Was it Larry Klaas’ ego that got him fired? Was it an alleged demand for more money? Or was it that Dick Descutner (our news director) simply wanted to make a change, and Barbara Sloan gave him just that opportunity? It all depends on whom you ask.

There were mixed feelings around the station when we learned Klaas was being ousted. He had his supporters, led by producer Arlene Ross. There were also people who felt a sense of liberation when word filtered down. Klaas was stunned by the dismissal, and told The Miami News’ Tom Jicha he was considering retiring from broadcasting. Obviously he reconsidered, and made a new start (albeit a little rocky) at KGUN in Tucson

Everyone in the newsroom had a Larry Klaas story to tell. If he was having a bad day, you knew it. In 1981, when my father was dying, I told producer Jerry Fisher that I might need to take a few days off. Klaas sat me down the next day, and in a stern voice, asked me why I told Jerry and not him. (This was before I became a producer. I was still a lowly Chyron operator/film archivist). Well, Larry, it was late and Jerry was still at the station, working on her nightly discrepancy report. You were gone for the night. Sorry I stepped on your toes, big guy. Show a little compassion for a guy whose dad is dying, will ya?

Yet I liked Larry. He was quick to criticize, but unlike a lot of managers, he would also tell you when you did a good job. I wished him well, and I meant it.

You’ll notice in Tom Jicha’s article that Descutner “found” Larry’s replacement, Barbara Sloan, through a five-second lead-in on another reporter’s audition tape. That was sort of how it went down, but it wasn’t Descutner who found her. The reporter on that tape was a former colleague of mine at WNWS, prior to my coming to Channel 6. He and I had something in common: both of our lives changed on March 17, 1980. Someday soon I’ll tell you that story.